Matching two cameras shot by shot
This week's picks for killing the A-cam/B-cam color jump:
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Gray-card-first workflow: white balance both before any creative grade — via Cullen Kelly [tutorial]
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Scopes checklist, align waveform blacks then match skin on the vectorscope flesh line — via Waqas Qazi [tutorial]
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Shot-match using a reference still pinned in the Color page — via DaVinci Resolve docs [free]
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Free neutral CST node tree to convert both cameras to a common space first — via Darren Mostyn [free]
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Mid-tone detail balancer so one camera doesn't look softer — via Lutify.me notes [tutorial]
Match in log/neutral, then drop your look on top as the last node.
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Matching two cameras shot by shot
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